| B |
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฿ A |
เ C |
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FRANCIS BACON |
1561-1626; British philosopher and essayist |
| Wee have also Sound-houses, wher wee practise and demonstrate all Sounds, and their
Generation. Wee have Harmonies which you have not, of Quarter-Sounds, and lesser Slides of
Sounds. Diverse Instruments of Musick likewise to you unknowne. |
The New Atlantis, 1624; a utopian essay |
 |
KENNETH BAILY |
British journalist, editor of the Television Annual series |
| 1 The reasons for the BBCs unstatesmanlike management of its Television Service are
mixed ones. To some extent sound broadcasting has become a vested interest at Broadcasting
House, and television gets kicked around as the latest, and partly unwanted child. Then,
the war caused a break in television development ... Also helpful to a BBC that is cool
towards television has been the fanatical enthusiasm of viewers for their first television
sets. This has made selling the programmes far too easy; as soon as television
reaches a district, sets sell themselves, and licence revenue soars, whether programmes
are good or bad. |
editorial in The Television Annual for 1950/51
See also R C Winton |
| 2 Our first reaction to the new invention of pictures in the home is the urge to look for
the largest possible screen. This is a fallacy. ... The television screen need satisfy
nobody beyond a fireside circle. ... The medium sized television screen will suit most
homes. The largest-sized screens have advantages in large rooms. The medium range of
receivers now in supply gives pictures measuring roughly nine by seven or eight inches.
The largest screen in general use gives a 12 by 10-inch picture. |
Television comes into the home in The Television
Annual for 1950/51. The aspect ratio of television screens at the time was 5:4. |
 |
JOHN LOGIE BAIRD |
1888-1946; Television inventor, pioneer and visionary |
| 1 Seeing by Wireless inventor of apparatus wishes to hear from someone who will
assist (not financially) in making working model. |
advertisement in personal column of The Times, 27 June 1923 |
| 2 May I direct your attention to the fact that the licence to manufacture this apparatus
will be of little avail unless coincidentally some sort of broadcasting at stated
intervals can be assured to producers of television. |
letter to Sir Evelyn Murray, secretary of the Post Office, 8 September 1928 |
| 3 There is one receiving set at my home on Box Hill, and I believe the BBC and the Post
Office each have one. That makes three and I should say there are half a dozen other sets
in the country. Add to them the receivers which clever amateurs may have built for
themselves from our directions and you might count another twenty. That makes twenty-nine in all. |
at the start of experimental 30-line television transmissions, 30 September 1929 |
| 4 There is no hope for television by means of cathode ray tubes. |
during visit to US, September 1931
cf AA Campbell Swinton 1 |
| 5 Cathode ray tubes are the most important items in a television receiver. |
1940 |
| |
GEORGE BAKER |
Head of US Republican Party National Publicity Bureau |
| The man who talks politics over the radio has got to talk sense in order to get a hearing.
If he doesnt his audience walks out on him. ... The radio will entirely change
political methods, I believe; it will knock the nonsense out of politics. |
1924; cit Edward W Chester: Radio, Television and American Politics, 1969 |
 |
Lord KENNETH BAKER |
1934- ; British politician; Minister for Information Technology |
| 1 By the end of the decade multi-channel cable television will be commonplace in-home
countrywideTV will be used for armchair shopping, banking, calling emergency
services and many other services. |
1982 |
| 2 The British film industry ... has an importance quite out of proportion to its
size in money terms. |
quoted in Daily Telegraph, 20 July 1984 |
 |
RUSSELL BAKER |
1925- ; Pulitzer Prize-winning essayist and journalist |
| Situation comedy on television has thrived for years on 'canned' laughter grafted by gaglines
by technicians using records of guffawing audiences that have been dead for years. |
source unknown |
 |
BARNEY BALABAN |
1888-1971; US film exhibitor (Balaban & Katz), President of Paramount Pictures 1936-1964 |
| We, the industry, recognize the need for informing people in foreign lands about the things
that have made America a great country, and we think we know how to put across the message of our democracy. |
quoted in New York Times, 1946 |
 |
BELA BALAZS |
1884-1949; Hungarian writer |
| Film art has a greater influence on the minds of the general public than any other art. |
Theory of the Film: Character and growth of a new art, 1947 |
 |
SirMICHAEL BALCON |
1896-1977; British film producer |
| 1 Here during a quarter of a century many films were made projecting Britain and the
British character. |
plaque erected at Ealing Studios at the time of its sale, 1955 |
| 2 We made films at Ealing that were good, bad and indifferent, but they were
indisputably British. They were rooted in the soil of the country. |
quoted in Halliwell's Filmgoer's Companion |
 |
Lord STANLEY BALDWIN |
1867-1947; British prime minister |
| 1 I think the time has come when the position of the film industry be examined with a
view to seeing whether it be not possible, as it is desirable, on national grounds, to see that
the larger proportion of films exhibited in this country are British, having regard ... to
the enormous power which the film is developing for propaganda purposes, and the danger to
which we in this country and our empire subject ourselves if we allow that method
propaganda to be entirely in the hands of foreign countries. |
House of Commons, 29 June 1925 |
| 2 There was a greatly preponderating body of opinion against broadcasting proceedings
of the House. |
House of Commons, 26 March 1926, Hansard vol 192, col 866; a member responded: May I
thank the Prime Minister on behalf of a long-suffering public. |
 |
JUAN ANTONIO BARDEM |
1922-2002; Spanish film director |
| 1 The [Italian] neo-realist movement has been a breath of fresh air in the rarefied
atmosphere of the film world; and it has clearly shown that the real protagonist of every film is, and
should be, Man. |
Robert Hughes (ed): Film: Book I, New York, 1959> |
| 2 You cant overthrow r้gimes through movies, but it can help. |
July 1978 |
 |
CLIVE BARNES CBE |
1927- ; English-born theatre and dance critic |
| Television is the first truly democratic culturethe first culture available to
everybody and entirely governed by what the people want. The most terrifying thing is what the people
do want. |
New York Times, 30 December 1969 |
 |
J M BARRIE |
1922-2002; Scottish writer, author of Peter Pan |
| The printing press is either the greatest blessing or the greatest curse of modern
times; one sometimes forgets which. |
source unknown |
 |
CHARLES BAUDELAIRE |
1821-1867; French poet |
| 1 I am unable to understand how a man of honour could take a newspaper in his hands
without a shudder of disgust. |
|
2 Immense naus้e des affiches.
[The immense nausea of advertisements.] |
Mon coeur mis เ nu: Journal intime, published posthumously 1887 |
 |
JEAN BAUDRILLARD |
1929-2007; French cultural theorist and philosopher |
| 1 Television knows no night. It is perpetual day. TV embodies our fear of the dark, of
night, of the other side of things. |
source unknown |
| 1 It is perhaps not a surprise that photography developed as a technological medium in the
industrial age, when reality started to disappear. It is even perhaps the disappearance of reality that
triggered this technical form. Reality found a way to mutate into an image. |
'Photography, or the Writing of Light', European Graduate School, 2000
|
| |
Sir BEVERLY BAXTER |
1891-1964; Canadian-born journalist, author and British Conservative MP 1935-1950 |
| In parts of Lancashire where life is very grim and one sees the local cinema palace and
its perhaps slight vulgarity, but there it is, a magic door at which people can leave the
hardships of reality and, for two or three hours, be carried away on wings of song or phantasy. |
House of Commons, 3 November 1947 |
 |
ANDRE BAZIN |
1918-1957; French film critic |
| The cinema gives us a substitute world which conforms to our desires. |
quoted in the title sequence of Jean-Luc Godard's Le M้pris, 1963
See also Jean-Luc Godard |
| |
SHERL BEARLSTROM |
American writer, author of 'Hollywood and History' |
| We are the top nation and we need history to explain how we got here. If that means stealing
your history and heroes to do it, then Hollywood will think it's a small price to pay for success at the box
office. Your Lord Puttnam was right: it's up to you guys to make your history more interesting than our version
of your history. Otherwise you are going to loseforever. |
quoted in The Times, June 2000
See also David Puttnam |
 |
Sir THOMAS BEECHAM |
1879-1961; British musical conductor |
| Movie music is noise. It's even more painful than my sciatica. |
quoted in Time magazine, 24 February 1958 |
| See also The Times |
|
 |
TONY BENN |
Anthony Wedgwood Benn 1925- ; British politician |
| 1 The one thing that is absolutely essential is that there shouldnt be any
governmental control [of the media] directly or indirectly. |
1969, quoted in Campaign |
| 2 The public, as a whole, are denied access or representation in these new talking shops
of the mass media as completely as the 94 per cent without the vote were excluded from
Parliament before 1832. The real question is not whether the programmes are good, or
serious, or balanced, or truthful. It is whether or not they allow the people themselves
to reflect, to each other, the diversity of interests, opinions, grievances, hopes and
attitudes to their fellow citizens to talk out their differences at sufficient length. ...
The press and broadcasting authorities have a responsibility for providing enough accurate
information, at the time when it really matters, to allow people to acquire greater
influence. The people, for their part, have the right to demand a greater ease of access
to the community through the mass media. |
The New Politics: A socialist reconnaissance, Fabian Tract 402, 1970 |
3 The trouble is that most of what we see and hear is filtered through someone who is an
expert in communicationmaybe a producer, or a journalist, or an editor. They feel it
is their job to make their material interesting.
But making it interesting means that someone plonks himself down
between us and the real situation.
You just dont hear people who are actually working in industry
talking in their own language about their lives and problems. |
Sunday Mirror, 2 May 1971 |
| 4 The present combination of corporate or commercial control theoretically answerable to
politically appointed Boards of Governors is not in any sense a democratic enough
procedure to control the power the broadcasters have. |
External Influences on Broadcasting, paper for
Fourth University of Manchester Symposium on Broadcasting, reprinted in The Guardian, 9 February 1972 |
 |
ALAN BENNETT |
1934- ; British playwright, actor |
| She was talking of her contemporaries, how she had spoken last week with Hemingway and how
Ernest had said, When I reach for my gun, I hear the word culture. |
Forty Years On, 1968
cf Hanns Johst |
 |
ARNOLD BENNETT |
1867-1931; British novelist and playwright |
| 1 Good taste is better than bad taste, and bad taste is better than no taste at all. |
Source unknown |
| 2 Journalists say a thing that they know isn't true in the hope that if
they keep on saying it long enough it will be true. |
The Title, Act 2 |
 |
WARREN BENNIS |
Professor of Business Administration, University of Southern California |
| The factory of the future will have only two employees, a man and a dog. The man will be
there to feed the dog. The dog will be there to keep the man from touching the equipment. |
|
 |
ERIC BENTLEY |
Eric Russell Bentley Drama critic; Professor of Theatre, State University of New York at Buffalo |
| The potentialities of the talking screen differ from those of the silent screen in adding
the dimension of dialoguewhich could be poetry. |
Kenyon Review, Spring Number 1945]
Erwin Panofsky |
 |
BERNARD BERENSON |
1865-1959; Lithuania-born US art critic |
| We define genius as the capacity for productive reaction against ones training. |
The Decline of Art |
 |
INGMAR BERGMAN |
Ernst Ingmar Bergman
1918- ; Swedish film director |
| 1 Film is mainly rhythm: inhalation and exhalation. |
Four Screenplays, 1960 |
| 2 When we experience a film, we consciously prime ourselves for illusion. Putting
aside will and intellect, we make way for it in our imagination. The sequence of
pictures plays directly on our feelings. Music works in the same fashion; I would
say that there is no art form that has so much in common with film as music. Both
affect our emotions directly, not via the intellect. And film is mainly rhythm; it is
inhalation and exhalation in continuous sequence. Ever since childhood, music has
been my great source of recreation and stimulation, and I often experience a film or
play musically. |
Four Screenplays, 1960 |
| 3 Film as dream, film as music. No art passes our conscience in the way film does,
and goes directly to our feelings, deep down into the dark rooms of our souls. |
quoted by John Berger: 'Ev'ry Time We Say Goodbye' in Sight
and Sound, BFI, June 1991 |
 |
HENRI BERGSON |
1859-1941; French philosopher |
| We think the moving by means of the immobile. |
L'Evolution cr้atrice, 1907 |
 |
Sir TIM BERNERS-LEE |
1955- ; Pioneer of the World Wide Web |
| If we know what the future is, we aren't looking far enough ahead. |
July 1997] |
 |
SARAH BERNHARDT |
Henriette Rosine Bernard
1845-1923; French actress |
| My one chance for immortality. |
on being filmed |
 |
SIDNEY BERNSTEIN |
1899-1993; British entertainment impressario, founder of Granada Television |
| I will earn more from the ice creams I sell in my cinemas than I ever will from commercial TV. |
around the time of winning an ITV franchise, c.1956
cf Roy Thomson |
 |
LUC BESSON |
1959- ; French film director |
| There is a dramatic deficit between what France makes and what it consumes. |
on French film production, as President of the Cannes Film Festival jury, 10 May 2000 |
 |
Sir JOHN BETJEMAN |
1906-1984; English Poet Laureate |
| Manchester produces what to me is the Pickwick Papers. That is to say Coronation
Street. Mondays and Wednesdays, I live for them. Thank God, half past seven
tonight and I shall be in paradise. |
1975; quoted in The Times, 25 November 1985.
An early instance of someone giving intellectual respectability to soap operas.
See also
Anonymous
See also
H V Kershaw
See also
Hackney
Empire |
 |
Sir WILLIAM BEVERIDGE |
1879-1963; British lawyer, economist and social analyst |
| The whole experience of broadcasting has shown its power properly used to help other
entertainments rather than impoverish them. |
1951 report on broadcasting, supporting the BBC monopoly |
|
BIBLE |
|
| Evil communications corrupt good manners. |
I Corinthians xv 33 |
 |
BILLY BITZER |
Johann Gotlob Wilhelm Bitzer 1872-1944; US cinematographer |
| The fade-out gave us a really dignified touch. We didn't have a five cent movie any more. |
Billy Bitzer: His Story |
 |
CONRAD BLACK |
Lord Conrad Black Canadian businessman, proprietor of British newspapers |
| The BBC is pathologically hostile to the government and official opposition, most British
institutions, American policy in almost every field, Israel, moderation in Ireland, all western religions,
and most manifestations of the free market economy. ... It is a virulent culture of bias. Though its best
programming in non-political areas is distinguished, sadly it has become the greatest menace facing the
country it was founded to serve and inform. |
Letter to The Daily Telegraph, 26 July 2003. Black owned the Daily Telegraph at the time |
 |
WILLIAM BLAKE |
1757-1827; English artist, poet and visionary |
| As a man is, so he sees. |
1799 |
 |
ANDRE BLONDEL |
Andr้-Eug่ne Blondel 1863-1938; French scientist and engineer, inventor of the oscillograph |
| The word television is a poor choice, not merely because tele is Greek and vision
is Latin but also because it is a simple synonym of telescopy. One could have found a more characteristic
Greek expression such as teleopsy and derivatives from this word. |
1938
see C P Scott |
| |
GEORGE BOAR |
farmhand of Long Melford, Suffolk, who invested his whole fortune
(ฃ126) in buying a television receiver |
| Television's far more entertaining and much less trouble than a wife would be. |
The Radio Times, February 1939, six months before the
BBC Television service closed down for nearly seven years. Long Melford was
about 15 miles beyond the recognised reach of the television signal from
Alexandra Palace, London, although the flat terrain may have made reception possible. |
 |
HUMPHREY BOGART |
1899-1957; film actor |
| The only reason to make a million dollars in this business is to be able to tell some fat
producer to go to hell. |
Source unknown |
 |
Dr ARPAD BOGSCH |
1919-2004 ; Director General, World Intellectual Property Organisation |
| Human genius is the source of all works of art and invention. Their works are the
guarantee of a life worthy of men. It is the duty of the state to ensure with diligence
the protection of the arts and inventions. |
Legend inscribed around the cupola of the WIPO headquarters building,
opened 1978; original in Latin |
 |
NILS BOHR |
1885-1962; Danish physicist |
| We must continually count on the appearance of new facts, the inclusion of which
within the compass of our earlier experience may require a revision of our fundamental concepts. |
Adopted as the motto of the Council of the Scientific and Medical Network |
 |
RENE BONNELL |
Cinema Director, Canal Plus |
| America has a vested interest in allowing a pool of talent to develop in Europe. It is to
the benefit of an industry of prototypes to maintain reserves of raw material. National
industries must be allowed to prosper since variety is in the interest of all. |
European Audiovisual Conference, July 1994 |
 |
LUKAS BONNIER |
1922-2006; Swedish publisher |
| We have to prepare for the write-less world, where children never learn to read or write,
just to look, talk and listen. |
speech at VIDCA conference, Cannes, 1971 |
 |
JOHN BOORMAN |
1933- ; British film director |
| It is the business of turning money into light and then back into money again. |
on film production, quoted by Tom Stoppard, The Sunday Times, 20 January 1980 |
 |
DANIEL J BOORSTIN |
1914-2004; American historian, Librarian of Congress 1975-87 |
| The traditional novel form continues to enlarge our experience in those very areas
where the wide-angle lens and the Cinerama screen tend to narrow it. |
The Image, 1961 |
 |
CHARLES BOOTH |
1829-1912; English social reformer |
| The demand for amusement is not less noticeable than that for holidays, and supply
follows. To what shall we eat, what drink, and wherewithal shall we be
clothed? must now be added the question How shall we be amused? To this
an answer has to be found. Even to the police it is a problem. |
quoted in A Fried and R Elman: Charles Booths London, Penguin, 1971, p258 |
 |
MARK BOOTH |
1955- ; Chief executive, British Sky Broadcasting |
| We don't think people want to watch the Internet over their television, we think they want
to watch television over their television. We believe in entertainment and the power of television. |
September 1998 |
 |
JORGE LUIS BORGES |
1899-1986; writer |
| Those who defend dubbing might argue (perhaps) that objections to it can also be raised
against any kind of translation. This argument ignores, or avoids, the principal defect:
the arbitrary implant of another voice and another language. The voice of Hepburn or
Garbo is not accidental but, for the world, one of their defining features. |
On dubbing, 1945 |
 |
HERBERT BOWDEN |
Herbert William Bowden, Lord Aylestone
1905-1994; British politician, Labour Chief Whip; Chairman, Indepedent Television/Broadcasting Authority 1965-73 |
| I do not like the idea [of televising parliament]. ... I do not want Parliament to become
an alternative to That Was the Week That Was or Steptoe and Son or Coronation Street. |
House of Commons, March 1963 |
 |
MARLON BRANDO |
1924- ; American film actor |
| 1 Acting is the expression of a neurotic impulse. |
source unknown |
| 2 Once you are a star actor, people start asking you questions about politics, astronomy,
archaeology and birth control. |
source unknown |
| 3 An actors a guy who, if you aint talking about him, aint listening. |
The Observer, January 1956 |
 |
BERTOLT BRECHT |
1898-1956; German playwright, theatre director and poet |
| Radio is one sided when it should be two. It is purely an apparatus for distribution, for
mere sharing out. So here is a positive suggestion: change this apparatus over from
distribution to communication. The radio would be the finest possible communication
apparatus in public life, a vast network of pipes. That is to say, it would be if it knew
how to receive as well as transmit, how to let the listener speak as well as hear, how to
bring him into a relationship instead of isolating him. On this principle the radio should
step out of the supply business and organise its listeners as suppliers. |
The Radio as an Apparatus of Communication in J
Willett (ed): Brecht On Theatre. London, 1964 |
 |
JOSEPH BREEN |
Joseph Ignatius Breen 1890-1965; American film censor; Director, Production Code Administration
1934-1954 |
| These Jews seem to think of nothing but money-making and sexual indulgence. People whose
daily morals would not be tolerated in the toilet of a pest house hold the good jobs out here and wax
fat on it. Ninety-five percent of these folks are Jews of an Eastern European lineage. They are, probably,
the scum of the scum of the earth. |
comment on Hollywood in a letter to Rev Wilfrid Parsons SJ, editor of America, a
Catholic weekly, 1931 |
| [Henry VIII's] attitude towards marriage and divorce [is] objectionably flippant. |
letter to Dory Schary, 19 May 1952 ordering a change int he character of the king in
the forthcoming production of Young Bess. |
 |
CATHERINE BREILLAT |
1948- ; French film director |
| No female director could ever fall in love with an actor. They are stupid and
ignorant and don't know how to follow instructions. |
quoted in The Sunday Times, 20 January 2002 |
 |
ROBERT BRESSON |
1907-1999; French film director |
| Film, radio, TV, the press form a school of inattention: people look without seeing, hear
without listening. '1950-1958: Exercises' in Notes on the Cinematographer, 1970 |
|
 |
ROBERT BRIDGES |
1844-1930; English poet and critic; Poet Laureate from 1913 |
| The common use of the telephone, and with much greater effect the later invention of broadcasting speech by wireless,
have revolutionized the whole problem [of English language reform]. We cannot
yet tell exactly how broadcasting will affect speech, but some results seem
inevitable. It must, we think, encourage a stricter standardization than
otherwise would have been possible or might have seemed desirable; also a
clearer and more distinct articulation of syllables than is generally practised:
and this points to its making a differentiation of dialects on the scientific
basis of their acoustical merits, which implies the utilitarian recognition of
an ๆsthetic standard which has hitherto been scoured as a vain fancy of educated taste. |
The Society's Work, Society for Pure English
Tract XXI, 1925. Bridges was one of the founders of the Society in 1913.
Broadcast English |
 |
Lord ASA BRIGGS |
1921- ; British academic and historian |
| In Germany the State itself was soon interested in television, Goebbels had spoken to one
of the Baird Television directors about it, and had told him what a wonderful thing it
would be to show Hitler and himself in every home. |
History of Broadcasting in the United Kingdom, volume 2 |
| |
JOHN BRILEY |
1925- ; American screenwriter |
| Whenever we have any moment of deep societal rift or disruption in America, one of the
ways we can express it is through the ideas and behavior in film noir. |
quoted in New York Times 6 February 1994 |
 |
DAVID BRINKLEY |
1920- ; US television journalist and news presenter |
| The one function that TV news performs very well is that when there is
no news we give it to you with the same emphasis as if there were. |
Source unknown. |
 |
Sir/Lord LEON BRITTAN |
1939- ; British politician, European Commissioner |
| Statistically there may be less of the more culturally advanced stuff. |
as UK Secretary of State for Trade and Industry, on future of broadcasting; May 1985 |
 |
Dr JACOB BRONOWSKI |
1908-1974; Director of Research, National Coal Board; author
and presenter of television series The Ascent of Man |
Television must be a balanced service. We are all kinds of people, and every person has
many sides. Television must meet all these demands. People seem to think that if one
appears in a Brains Trust one never does anything but debate and read Third
Programme tracts. The word intellectual is debased; because most so-called
intellectuals I know have fun, play games, go to the pictures, read
funnies sometimes, and feel worried and frustrated as anybody else at times.
This is the mistake some controllers of television have sometimes madeof being so
obviously serious, so patently educational, as to make us all feel that we have got to be
taught. Nobody wants to be deliberately taught anything about life. But most people have
an insatiable curiosity about life, as it happens, as it comes. If television reflects
life in a balanced manner, it cannot help feeding our curiosity.
Television exposes people to intelligent conversation. Television is
also a habit. The two things together make one good thing, for by habit tolerance for
other peoples opinions grows. Television leads people to get inside the opinions it
throws up. They become tolerant about more sides of a question than they knew existed
before. ...
When the invention of printing permitted The Iliad to be
circulated, only 500 people read the first publication of it. Today it is sold in
thousands in paperback books. People improve all the time. There are many ways of trying
to explain this; but it is just a fact of evolution. ... No man can stop it. No medium
can; but all mediums help it, whether they set out to or not.
It is for this reason that I regret any plan there may be to give
television a kind of Third Programme. This can only become a closed sect of
people, viewers and broadcasters, ever feeding off themselves. This kind of approach to
broadcasting forgets a fundamental fact about humanity: this is that anybody can run, but
not everybody is capable of running a four-minute mile. Not everybody is capable of
absorbing the highest realms of knowledge; but everybody is capable of absorbing
knowledge.
In the end the trend of public opinion will kick out the controller of
a mass-entertaining service, because it has got ahead of him in its desires. This is the
terrible things about American television. Its controllers have not educated themselves as
much as the informational germs in their own programmes have in fact educated their
viewers. A few years ago, American television put on documentaries in peak evening hours.
Rarely so today; most peak hours are filled with variety or cowboys. Yet the documentaries
sowed the seed which now puts many of the people out ahead of the variety and cowboys. I
come back to the importance of having a balanced service. You cannot do any of these
things deliberately. You will not make people wiser by having an educational channel, or a
learn-as-you-look hour once a day. |
Can Television Make Us Wiser in Kenneth Baily (ed):
The Television Annual for 1960 |
 |
GORDON BROWN |
1951-; British politician; Chancellor of the Exchequer 1997- |
| I have always been struck by how unfair it is at Christmas when thousands of
children get the presents they wanted, yet others watch the television adverts
in the knowledge they can never have those things. I think it is an unfair
society that is endlessly pushing these television adverts on young people. |
Quoted in The Times, December 2003 |
| |
JOHN MASON BROWN |
1900-1969; American drama critic |
| Some television programs are so much chewing gum for the eyes. |
interview, 20 July 1955; sometimes attributed to Frank Lloyd Wright |
 |
BOUDLEAUX and FELICE BRYANT |
1920-1987 and 1925-2003; American country and pop music songwriters |
| Lots of times I date my honey/When Im running short of folding money/But the radio
and TV are free. |
Radio and TV, sung by the Everly Brothers, 1961 |
 |
GEORGE BURNS |
1896-1996; American comedian, husband of Gracie Allen |
| Television was so new that if an actor burped, everyone agreed it was an innovative concept
and nothing like it had ever been done on television before. |
source unknown |
 |
EDWARD ARTHUR BURROUGHS |
1882-1934; Bishop of Ripon |
| We could get on very happily if aviation, wireless, television and the like advanced no
further than at present. |
sermon to British Association for the Advancement of Science, Leeds, 4 September 1927 |
 |
A R BURROWS |
Director of Programmes, British Broadcasting Company |
| 1 It is highly probable that before 1924 has passed it will be regular practice for many
schools in the country to include in their schedules broadcast talks by the highest
teachers in the land. The burden of the schoolmaster, who is expected to be an authority
on every subject under the sun, and, being human, is not so, will be somewhat relieved,
and the interest of students should be much quickened. The strictly educational side of
broadcasting, for which there undoubtedly is a future, is a matter of such far-reaching
importance that a steady development may well prove the soundest policy. |
What had been done: a review of the first years
broadcast, in Broadcast Listeners Year Book 1924 |
| 2 We broadcasters are not in the fortunate position of newspapers or places of
entertainment, which have their circulations and box-office returns as evidence of their
success or failure. |
The Story of Broadcasting, 1924 |
 |
GEORGE BUSH |
1924- ; US President, 1989-1993 |
| One in which every adult American was educated well enough to be able to programme the
clock timer on his video recorder. |
quoted Feb 1991, when asked how he would like his presidency to be remembered |
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GEORGE W BUSH |
US President, 2001- ; son of the above |
| 1 I will work with entertainment leaders, advertisers and others to encourage less
violence, substance abuse, foul language and sexuality. As
president, I will urge entertainment leaders to limit violence and sexual images
voluntarily. Working together, we can find sensible, family-friendly curbs to
curb excesses and to set a positive tone for America. |
During the presidential election campaign, 2000 |
| 2 You teach a child to read, and he or she will be able to pass a literacy test. |
21 February 2001 |
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SAMUEL BUTLER |
1835-1902; English writer |
| An art can only be learned in the workshop of those who are winning their bread by it. |
Erewhon |
| ฿ A |
เ C |
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